Delcy Morelos Embraces Heaven and Earth — Hyperallergic, 12/12/23

Charles LeDray: Shiner — The Brooklyn Rail, 12/2023

Jeremy Dennis Makes a Farce of White Guilt — Hyperallergic, 11/22/23

David Opdyke Interviewed by Louis Bury — BOMB, 11/15/23

On Getting Things a Little Less Wrong — Hyperallergic, 11/8/23

The Pleasures and Perils of the Amazon Rainforest — Hyperallergic, 10/25/23

Sonya Kelliher-Combs Interviewed by Louis Bury — BOMB, 10/2/23

David L. Johnson’s Critique of NYC Community Gardens — Hyperallergic, 9/3/23

Daniel Lind-Ramos Transforms Waste into Totemic Assemblages — Hyperallergic, 8/27/23

Alexis Rockman Depicts the Ominous Beauty of Glaciers and Shipwrecks — Hyperallergic, 7/4/23

The Physical Labor of Writing — Hyperallergic, 3/2/23

Cara Tomlinson’s Eco-Formalism. The Hoffman Gallery, Lewis & Clark College. 2023

Studio Visit: Justin Sterling by Louis Bury — BOMB, 2/6/23

Studio Visit: David L. Johnson by Louis Bury — BOMB, 1/11/23


Echoes of Joy and Peril in Leda Catunda’s Textiles — Hyperallergic, 12/21/22

The NYC Exhibition Where Works Cost up to $75 — Hyperallergic, 11/16/22

The Enfolding: Michelle Segre at 56 Henry — Art in America, 11/14/22

Our Liquid Border: Zoe Leonard at Hauser & Wirth — Art in America, 10/24/22

Co-Creating with Fungal Mold — Hyperallergic, 10/11/22

Portfolio: Simon Benjamin by Louis Bury — BOMB, 9/8/22

Looking to the Future: Michael Wang Interviewed by Louis Bury — BOMB, 8/22/22

Down to Earth: Piero Gilardi at Magazzino Italian Art — Art in America, 8/16/22

Impending Futures: Mo Kong Interviewed by Louis Bury — BOMB, 8/15/22

Cecilia Vicuña’s Charismatic Vulnerability — Hyperallergic, 8/10/22

Duke Riley’s Burlesque Spin on the Trappings of Museum Display and Folk Art — Hyperallergic, 7/27/22

Laurie Parson’s Disappearing Act — Hyperallergic, 6/8/22

Studio Visit: Levani by Louis Bury — BOMB, 6/1/22

NYC Exhibition Invites Viewers to Go for a Nap — Hyperallergic, 5/12/22

Reconstructive Memory: Sam Spillman at Ulterior — Art in America, 5/6/22

Sprouts and Bugs: Mimi Park at Lubov — Art in America, 4/11/22

Contact Sheet: Light Work Annual — Light Work, 2022

Reaching Beyond the Human — Art in America, 2/2/22


Athena LaTocha Digs Deep into Brooklyn’s Past — Hyperallergic, 12/15/21

Lina Puerta’s Art Mimics Botanical and Female Anatomical Forms — Hyperallergic, 12/9/21

The Penalty Presidency — Hyperallergic, 12/1/21

Message and Method: Hannah Chalew Interviewed by Louis Bury — BOMB, 11/29/21

Forms That Don’t Yet Exist: Kiyan Williams Interviewed by Louis Bury — BOMB, 11/10/21

Tamara Kostianovsky Envisions a Whimsical Slaughterhouse — Hyperallergic, 10/20/21

Turning the Tide: “Sun and Sea” at the Brooklyn Academy of Music — Art in America, 10/8/21

Things Fall Apart: Gabriela Salazar Interviewed by Louis Bury — BOMB, 10/4/21

Who Owns the Earth? — Hyperallergic, 9/8/21

Dear Climate — Posthumanism in Art and Science, Aloi and McHugh, eds, Columbia University Press, 2021

Imagining Our Climate Future — Hyperallergic, 8/7/21

An Archaeology of Loss in New York City — Hyperallergic, 7/3/21

Gray and Green: Maya Lin at Madison Square Park — Art in America, 6/17/21

Ecological Art Infused by Memoir and Identity — Hyperallergic, 6/5/21

Richard Mosse’s Photos Exoticize Disaster — Hyperallergic, 5/8/21

Tiny, Nonthreatening, and Supportive — Gathering Space, ed. Vandenbroucke, Spring 2021

Levan Mindiashvili’s Childhood Memories — Hyperallergic, 4/24/21

Embodied Practice: Christine Howard Sandoval Interviewed by Louis Bury — BOMB, 4/21/21

Entanglements Across Time and Space: Rachelle Dang Interviewed by Louis Bury — BOMB, 4/5/21

Mira Dayal Maps a Gallery Floor — Hyperallergic, 3/19/21

Art That Goes With the Floe — Hyperallergic, 3/6/21

Many Silenced Histories: Alicia Grullón Interviewed by Louis Bury — BOMB, 3/2/21

The View From Without — Art in America, 2/16/21

Teresita Fernández Depicts Caribbean Colonialism and Eco-Trauma — Hyperallergic, 1/2/21


Mary Mattingly Confronts Climate Change With Utopic Resourcefulness — Hyperallergic, 12/19/20

Redefining Architecture: Nancy Nowacek Interviewed by Louis Bury — BOMB, 11/30/20

Zac Skinner’s Survivalist Sculptures — Hyperallergic, 11/21/20

Studio Visit: Woomin Kim by Louis Bury — BOMB, 11/18/20

Kiyan Williams Digs Into The Meaning of Soil — Hyperallergic, 11/7/20

Red Flags Are Flying at Rockefeller Center — Hyperallergic, 9/12/20

Martha Tuttle’s Sentient Stones at Storm King — Hyperallergic, 9/5/20

Take a Virtual Nature Walk at Wave Hill — Hyperallergic, 8/8/20

What Ecofeminist Artists Learned From Indigenous Cultures — Art in America, 7/20/20

Nature as Filtered Through a Screen — Hyperallergic, 6/27/20

Water Portraits: Carolina Caycedo Interviewed by Louis Bury — BOMB, 6/12/20

Art Into the World: Marion Wilson Interviewed by Louis Bury — BOMB, 4/23/20

Strangeness and Beauty: Dear Climate (Una Chaudhuri, Oliver Kellhammer, and Marina Zurkow) Interviewed by Louis Bury — BOMB, 3/30/20

Digital Meditations on Water — Hyperallergic, 3/7/20

Getting Your Weather Report at the Art Museum — Hyperallergic, 2/15/20

Nature Offers the Best Designs at the Cooper Hewitt Triennial — Hyperallergic, 1/11/20

Uncanny Landscapes: Alice Miceli Interviewed by Louis Bury — BOMB, 1/9/20

Agnes Denes’s Future Imperfect — Hyperallergic, 1/4/20


Social Sculpture: Elias Sime Interviewed by Louis Bury — BOMB, 12/2/19

Painting Disaster From a Distance — Hyperallergic, 10/26/19

A Greenhouse for Extinct Flora — Hyperallergic, 10/19/19

Reimagined Objects: Jean Shin Interviewed by Louis Bury — BOMB, 9/16/19

Listening to Plants — Hyperallergic, 9/14/19

A Sanitation Worker’s Collection of Salvaged Objects — Hyperallergic, 9/7/19

Spiritual Praxis: Tattfoo Tan Interviewed by Louis Bury — BOMB, 7/18/19

Rachelle Dang’s Meditation on Past and Present — Hyperallergic, 7/13/19

Building an Architecture for Climate Change — Hyperallergic, 7/9/19

Mo Kong Maps a Post-Climate Change Future — Hyperallergic, 7/6/19

The Southern Gothic Moods of Allison Janae Hamilton — Hyperallergic, 6/15/19

Paradise Lost: Paul Davies’s Fictive California — Hyperallergic, 6/8/19

So Green and So Hopeful: Leslie Carol Roberts Interviewed by Louis Bury — BOMB, 5/29/19

Josh Kline’s Water World — Hyperallergic, 5/26/19

Coping with Climate Change — Hyperallergic, 5/11/19

Materializing Memory and Trauma — Hyperallergic, 5/4/19

At Union Studio, Artists Engage in Serious Play Around Notions of Ecology — Hyperallergic, 4/25/19

Making Space: Ronny Quevedo Interviewed by Louis Bury — BOMB, 4/22/19

Making Interiority Visible: Dawoud Bey Interviewed by Louis Bury — BOMB, 4/5/19

three — The Brooklyn Rail, 4/2019

Claire Sherman’s Leafy Canvases — Hyperallergic, 3/30/19

Hans Op de Beek Stages Silence — Hyperallergic, 3/17/19

Lynette Yiadom-Boakye Explores Psychological Depths — Hyperallergic, 2/9/19

Art and Ecology: Mariel Villeré and Dylan Gauthier Interviewed by Louis Bury — BOMB, 2/5/19

Rocks, Waste, and Water — Hyperallergic, 2/2/19

The World Without Us — Tripwire: a journal of poetics 15, 2019

Nature’s Nation: American Art and Environment — BOMB, 1/3/19


Edward Burtynsky Depicts Our Alien Domain — Hyperallergic, 12/29/18

Vanished Art Recalled and Reinterpreted — Hyperallergic, 10/27/18

Culture and Place: Juanli Carrión Interviewed by Louis Bury — BOMB, 10/22/18

Dorian Gaudin: The Coffee Cup Spring — The Brooklyn Rail, 10/3/18

Drawing the Essay — Hyperallergic, 9/29/18

The Scandal of Style: Jeff Dolven Interviewed by Louis Bury — BOMB, 9/5/18

Refuse Transformed: Reuse as Social Repair — Hyperallergic, 8/18/18

Urban Ecological Consciousness at Wave Hill — Hyperallergic, 8/11/18

Lara Atallah’s Mediterranean Whispers — White Hot, 8/2018

The Ghosts of Our Future Climate at Storm King — Hyperallergic, 7/29/18

Mirtha Dermisache’s Writing Is a Rorschach Test — Hyperallergic, 6/24/18

Mary Mattingly’s Poetry of Things — Hyperallergic, 5/13/18

Studio Visit: Greg Lindquist by Louis Bury — BOMB, 4/11/18

Kay Rosen’s Writing on the Wall — Hyperallergic, 4/7/18

Refereeing Trump — Hyperallergic, 3/17/18

An Artist Named Artist Finds Order in Digital Waste — Hyperallergic, 2/8/18

Painting the Sky on Sunday — Hyperallergic, 1/27/18

Topical Criticism and the Cultural Logic of the Quick Take — The Digital Critic: Literary Culture Online, Barekat, Barry, and Winters, eds, O/R Books, 2018

Un-preemptively Yours — Something Other Than Lifedeath—Catalyst: S.D. Chrostowska, David Cecchetto, ed., Noxious Sector Press, 2018

Serious Play: Samson Kambalu’s Graphomania by Louis Bury — BOMB, 1/2/18


Overcoming Daily Life with Nayland Blake’s Daily Drawings — Hyperallergic, 12/14/17

Ruination and Rumination on the Anthropocene — Hyperallergic, 12/2/17

An Artist Adopts Avant-Garde Poetry to Express the Limits of Language — Hyperallergic, 11/16/17

Dale Chihuly’s Road Not Taken — Hyperallergic, 10/28/17

Rose DeSiano Holds a Mirror Up to Nature — Hyperallergic, 10/21/17

The Immortals — Seneca Review, Fall 2017 

Bookforum talks with Albert Mobilio — Bookforum, 8/28/17

A Participatory Studio of Utopic Creativity — Hyperallergic, 8/26/17

Tom Pnini’s Cinematic Études — Hyperallergic, 8/19/17

Ronny Quevedo’s Field of Play — Hyperallergic, 7/8/17

The Contested Histories of Water — Hyperallergic, 6/24/17

Lung Power — Page Boy IX, 5/2017 

“One Minute Sculpture” at Twenty: Erwin Wurm’s Ethics Demonstrated in Geometrical OrderHyperallergic, 4/29/17

The Embodied Life Writing of Aynsley Vandenbroucke — Hyperallergic, 4/8/17

Revising on the Fly: Adjua Greaves in Performance — Hyperallergic, 3/19/17

Anticipatory Blurbs — Verbivoracious Festschrift, Volume Six: The Oulipo, M.J. Nicholls, ed., 2017 

Great Balls of Fire: Arthur Jafa at Gavin Brown’s Enterprise — Hyperallergic, 1/28/17


I’d Prefer Not To: ‘Enacting Stillness’ at The 8th Floor — Hyperallergic, 12/10/16

The Tender Proceduralism of Solmaz Sharif’s ‘Look’ — Hyperallergic, 10/23/16

The Political Art of Alicia Grullón — Hyperallergic, 6/11/16

A Throw of the Dice: On the Risks and Rewards of Art — Hyperallergic, 4/30/16

What Poetry Are We Going to Write — Boston Review, 4/25/16

Beguiling Simplicity: The Poetry of Robert Lax — Hyperallergic, 4/16/16

Introduction — Lifelife Rule, by Doug Nufer, Spuyten Duyvil Press, 2016 

Running Down a Dream — Los Angeleres Review of Books, 3/20/16


Speak, Memory: Becky Suss’s Painterly Anthropology — Hyperallergic, 12/19/15

X Marks the Spot: E.J. McAdams’s Sculptural Nature Writing — Hyperallergic, 11/15/15

On BpNichol — Coldfront, 11/9/15 

Clifford Owens’s Scatological Whispers — Hyperallergic, 9/26/15

In and Out of Frame: Lorraine O’Grady’s “Art Is…” — Hyperallergic, 9/5/15

The ABC of Art Criticism: Some Recent How To’s — Hyperallergic, 8/29/15

Autobiography by Other Means — #alt-academy, 4/17/15

One should not try to go over the limit — The Believer, 1/27/15

Fables from Artlandia: The Miraculous by Raphael Rubinstein — Hyperallergic, 12/20/14