2023
Delcy Morelos Embraces Heaven and Earth — Hyperallergic, 12/12/23
Charles LeDray: Shiner — The Brooklyn Rail, 12/2023
Jeremy Dennis Makes a Farce of White Guilt — Hyperallergic, 11/22/23
David Opdyke Interviewed by Louis Bury — BOMB, 11/15/23
On Getting Things a Little Less Wrong — Hyperallergic, 11/8/23
The Pleasures and Perils of the Amazon Rainforest — Hyperallergic, 10/25/23
Sonya Kelliher-Combs Interviewed by Louis Bury — BOMB, 10/2/23
David L. Johnson’s Critique of NYC Community Gardens — Hyperallergic, 9/3/23
Daniel Lind-Ramos Transforms Waste into Totemic Assemblages — Hyperallergic, 8/27/23
Alexis Rockman Depicts the Ominous Beauty of Glaciers and Shipwrecks — Hyperallergic, 7/4/23
The Physical Labor of Writing — Hyperallergic, 3/2/23
Cara Tomlinson’s Eco-Formalism. The Hoffman Gallery, Lewis & Clark College. 2023
Studio Visit: Justin Sterling by Louis Bury — BOMB, 2/6/23
Studio Visit: David L. Johnson by Louis Bury — BOMB, 1/11/23
2022
Echoes of Joy and Peril in Leda Catunda’s Textiles — Hyperallergic, 12/21/22
The NYC Exhibition Where Works Cost up to $75 — Hyperallergic, 11/16/22
The Enfolding: Michelle Segre at 56 Henry — Art in America, 11/14/22
Our Liquid Border: Zoe Leonard at Hauser & Wirth — Art in America, 10/24/22
Co-Creating with Fungal Mold — Hyperallergic, 10/11/22
Portfolio: Simon Benjamin by Louis Bury — BOMB, 9/8/22
Looking to the Future: Michael Wang Interviewed by Louis Bury — BOMB, 8/22/22
Down to Earth: Piero Gilardi at Magazzino Italian Art — Art in America, 8/16/22
Impending Futures: Mo Kong Interviewed by Louis Bury — BOMB, 8/15/22
Cecilia Vicuña’s Charismatic Vulnerability — Hyperallergic, 8/10/22
Duke Riley’s Burlesque Spin on the Trappings of Museum Display and Folk Art — Hyperallergic, 7/27/22
Laurie Parson’s Disappearing Act — Hyperallergic, 6/8/22
Studio Visit: Levani by Louis Bury — BOMB, 6/1/22
NYC Exhibition Invites Viewers to Go for a Nap — Hyperallergic, 5/12/22
Reconstructive Memory: Sam Spillman at Ulterior — Art in America, 5/6/22
Sprouts and Bugs: Mimi Park at Lubov — Art in America, 4/11/22
Contact Sheet: Light Work Annual — Light Work, 2022
Reaching Beyond the Human — Art in America, 2/2/22
2021
Athena LaTocha Digs Deep into Brooklyn’s Past — Hyperallergic, 12/15/21
Lina Puerta’s Art Mimics Botanical and Female Anatomical Forms — Hyperallergic, 12/9/21
The Penalty Presidency — Hyperallergic, 12/1/21
Message and Method: Hannah Chalew Interviewed by Louis Bury — BOMB, 11/29/21
Forms That Don’t Yet Exist: Kiyan Williams Interviewed by Louis Bury — BOMB, 11/10/21
Tamara Kostianovsky Envisions a Whimsical Slaughterhouse — Hyperallergic, 10/20/21
Turning the Tide: “Sun and Sea” at the Brooklyn Academy of Music — Art in America, 10/8/21
Things Fall Apart: Gabriela Salazar Interviewed by Louis Bury — BOMB, 10/4/21
Who Owns the Earth? — Hyperallergic, 9/8/21
Dear Climate — Posthumanism in Art and Science, Aloi and McHugh, eds, Columbia University Press, 2021
Imagining Our Climate Future — Hyperallergic, 8/7/21
An Archaeology of Loss in New York City — Hyperallergic, 7/3/21
Gray and Green: Maya Lin at Madison Square Park — Art in America, 6/17/21
Ecological Art Infused by Memoir and Identity — Hyperallergic, 6/5/21
Richard Mosse’s Photos Exoticize Disaster — Hyperallergic, 5/8/21
Tiny, Nonthreatening, and Supportive — Gathering Space, ed. Vandenbroucke, Spring 2021
Levan Mindiashvili’s Childhood Memories — Hyperallergic, 4/24/21
Embodied Practice: Christine Howard Sandoval Interviewed by Louis Bury — BOMB, 4/21/21
Entanglements Across Time and Space: Rachelle Dang Interviewed by Louis Bury — BOMB, 4/5/21
Mira Dayal Maps a Gallery Floor — Hyperallergic, 3/19/21
Art That Goes With the Floe — Hyperallergic, 3/6/21
Many Silenced Histories: Alicia Grullón Interviewed by Louis Bury — BOMB, 3/2/21
The View From Without — Art in America, 2/16/21
Teresita Fernández Depicts Caribbean Colonialism and Eco-Trauma — Hyperallergic, 1/2/21
2020
Mary Mattingly Confronts Climate Change With Utopic Resourcefulness — Hyperallergic, 12/19/20
Redefining Architecture: Nancy Nowacek Interviewed by Louis Bury — BOMB, 11/30/20
Zac Skinner’s Survivalist Sculptures — Hyperallergic, 11/21/20
Studio Visit: Woomin Kim by Louis Bury — BOMB, 11/18/20
Kiyan Williams Digs Into The Meaning of Soil — Hyperallergic, 11/7/20
Red Flags Are Flying at Rockefeller Center — Hyperallergic, 9/12/20
Martha Tuttle’s Sentient Stones at Storm King — Hyperallergic, 9/5/20
Take a Virtual Nature Walk at Wave Hill — Hyperallergic, 8/8/20
What Ecofeminist Artists Learned From Indigenous Cultures — Art in America, 7/20/20
Nature as Filtered Through a Screen — Hyperallergic, 6/27/20
Water Portraits: Carolina Caycedo Interviewed by Louis Bury — BOMB, 6/12/20
Art Into the World: Marion Wilson Interviewed by Louis Bury — BOMB, 4/23/20
Strangeness and Beauty: Dear Climate (Una Chaudhuri, Oliver Kellhammer, and Marina Zurkow) Interviewed by Louis Bury — BOMB, 3/30/20
Digital Meditations on Water — Hyperallergic, 3/7/20
Getting Your Weather Report at the Art Museum — Hyperallergic, 2/15/20
Nature Offers the Best Designs at the Cooper Hewitt Triennial — Hyperallergic, 1/11/20
Uncanny Landscapes: Alice Miceli Interviewed by Louis Bury — BOMB, 1/9/20
Agnes Denes’s Future Imperfect — Hyperallergic, 1/4/20
2019
Social Sculpture: Elias Sime Interviewed by Louis Bury — BOMB, 12/2/19
Painting Disaster From a Distance — Hyperallergic, 10/26/19
A Greenhouse for Extinct Flora — Hyperallergic, 10/19/19
Reimagined Objects: Jean Shin Interviewed by Louis Bury — BOMB, 9/16/19
Listening to Plants — Hyperallergic, 9/14/19
A Sanitation Worker’s Collection of Salvaged Objects — Hyperallergic, 9/7/19
Spiritual Praxis: Tattfoo Tan Interviewed by Louis Bury — BOMB, 7/18/19
Rachelle Dang’s Meditation on Past and Present — Hyperallergic, 7/13/19
Building an Architecture for Climate Change — Hyperallergic, 7/9/19
Mo Kong Maps a Post-Climate Change Future — Hyperallergic, 7/6/19
The Southern Gothic Moods of Allison Janae Hamilton — Hyperallergic, 6/15/19
Paradise Lost: Paul Davies’s Fictive California — Hyperallergic, 6/8/19
So Green and So Hopeful: Leslie Carol Roberts Interviewed by Louis Bury — BOMB, 5/29/19
Josh Kline’s Water World — Hyperallergic, 5/26/19
Coping with Climate Change — Hyperallergic, 5/11/19
Materializing Memory and Trauma — Hyperallergic, 5/4/19
At Union Studio, Artists Engage in Serious Play Around Notions of Ecology — Hyperallergic, 4/25/19
Making Space: Ronny Quevedo Interviewed by Louis Bury — BOMB, 4/22/19
Making Interiority Visible: Dawoud Bey Interviewed by Louis Bury — BOMB, 4/5/19
three — The Brooklyn Rail, 4/2019
Claire Sherman’s Leafy Canvases — Hyperallergic, 3/30/19
Hans Op de Beek Stages Silence — Hyperallergic, 3/17/19
Lynette Yiadom-Boakye Explores Psychological Depths — Hyperallergic, 2/9/19
Art and Ecology: Mariel Villeré and Dylan Gauthier Interviewed by Louis Bury — BOMB, 2/5/19
Rocks, Waste, and Water — Hyperallergic, 2/2/19
The World Without Us — Tripwire: a journal of poetics 15, 2019
Nature’s Nation: American Art and Environment — BOMB, 1/3/19
2018
Edward Burtynsky Depicts Our Alien Domain — Hyperallergic, 12/29/18
Vanished Art Recalled and Reinterpreted — Hyperallergic, 10/27/18
Culture and Place: Juanli Carrión Interviewed by Louis Bury — BOMB, 10/22/18
Dorian Gaudin: The Coffee Cup Spring — The Brooklyn Rail, 10/3/18
Drawing the Essay — Hyperallergic, 9/29/18
The Scandal of Style: Jeff Dolven Interviewed by Louis Bury — BOMB, 9/5/18
Refuse Transformed: Reuse as Social Repair — Hyperallergic, 8/18/18
Urban Ecological Consciousness at Wave Hill — Hyperallergic, 8/11/18
Lara Atallah’s Mediterranean Whispers — White Hot, 8/2018
The Ghosts of Our Future Climate at Storm King — Hyperallergic, 7/29/18
Mirtha Dermisache’s Writing Is a Rorschach Test — Hyperallergic, 6/24/18
Mary Mattingly’s Poetry of Things — Hyperallergic, 5/13/18
Studio Visit: Greg Lindquist by Louis Bury — BOMB, 4/11/18
Kay Rosen’s Writing on the Wall — Hyperallergic, 4/7/18
Refereeing Trump — Hyperallergic, 3/17/18
An Artist Named Artist Finds Order in Digital Waste — Hyperallergic, 2/8/18
Painting the Sky on Sunday — Hyperallergic, 1/27/18
Topical Criticism and the Cultural Logic of the Quick Take — The Digital Critic: Literary Culture Online, Barekat, Barry, and Winters, eds, O/R Books, 2018
Un-preemptively Yours — Something Other Than Lifedeath—Catalyst: S.D. Chrostowska, David Cecchetto, ed., Noxious Sector Press, 2018
Serious Play: Samson Kambalu’s Graphomania by Louis Bury — BOMB, 1/2/18
2017
Overcoming Daily Life with Nayland Blake’s Daily Drawings — Hyperallergic, 12/14/17
Ruination and Rumination on the Anthropocene — Hyperallergic, 12/2/17
An Artist Adopts Avant-Garde Poetry to Express the Limits of Language — Hyperallergic, 11/16/17
Dale Chihuly’s Road Not Taken — Hyperallergic, 10/28/17
Rose DeSiano Holds a Mirror Up to Nature — Hyperallergic, 10/21/17
The Immortals — Seneca Review, Fall 2017
Bookforum talks with Albert Mobilio — Bookforum, 8/28/17
A Participatory Studio of Utopic Creativity — Hyperallergic, 8/26/17
Tom Pnini’s Cinematic Études — Hyperallergic, 8/19/17
Ronny Quevedo’s Field of Play — Hyperallergic, 7/8/17
The Contested Histories of Water — Hyperallergic, 6/24/17
Lung Power — Page Boy IX, 5/2017
“One Minute Sculpture” at Twenty: Erwin Wurm’s Ethics Demonstrated in Geometrical Order — Hyperallergic, 4/29/17
The Embodied Life Writing of Aynsley Vandenbroucke — Hyperallergic, 4/8/17
Revising on the Fly: Adjua Greaves in Performance — Hyperallergic, 3/19/17
Anticipatory Blurbs — Verbivoracious Festschrift, Volume Six: The Oulipo, M.J. Nicholls, ed., 2017
Great Balls of Fire: Arthur Jafa at Gavin Brown’s Enterprise — Hyperallergic, 1/28/17
2016
I’d Prefer Not To: ‘Enacting Stillness’ at The 8th Floor — Hyperallergic, 12/10/16
The Tender Proceduralism of Solmaz Sharif’s ‘Look’ — Hyperallergic, 10/23/16
The Political Art of Alicia Grullón — Hyperallergic, 6/11/16
A Throw of the Dice: On the Risks and Rewards of Art — Hyperallergic, 4/30/16
What Poetry Are We Going to Write — Boston Review, 4/25/16
Beguiling Simplicity: The Poetry of Robert Lax — Hyperallergic, 4/16/16
Introduction — Lifelife Rule, by Doug Nufer, Spuyten Duyvil Press, 2016
Running Down a Dream — Los Angeleres Review of Books, 3/20/16
2015
Speak, Memory: Becky Suss’s Painterly Anthropology — Hyperallergic, 12/19/15
X Marks the Spot: E.J. McAdams’s Sculptural Nature Writing — Hyperallergic, 11/15/15
On BpNichol — Coldfront, 11/9/15
Clifford Owens’s Scatological Whispers — Hyperallergic, 9/26/15
In and Out of Frame: Lorraine O’Grady’s “Art Is…” — Hyperallergic, 9/5/15
The ABC of Art Criticism: Some Recent How To’s — Hyperallergic, 8/29/15
Autobiography by Other Means — #alt-academy, 4/17/15
One should not try to go over the limit — The Believer, 1/27/15
Fables from Artlandia: The Miraculous by Raphael Rubinstein — Hyperallergic, 12/20/14